After only six months blogging, I’ve managed to find yet another opportunity to blog about genre angst.
This past weekend I attended the Berkeley Mystery Writers Intensive conference. I was a last minute registrant, spurred by Janet Reid’s post last week encouraging west coast writers to attend because they’d have a chance to meet Barbara Poelle. How could I resist? I spent the next few days polishing/reading aloud my first 25 pages for review by a published novelist, reviewed my currently unrefined “pitch” and headed to Berkeley.
It was an awesome conference, populated with a gracious, entertaining, informative, supportive staff of presenters and nice and cozy with about 25 people seriously dedicated to the craft of writing crime fiction.
To summarize the trail to my genre meltdown, I read the first paragraph of my novel to the group during the session on first lines/first chapters. They laughed. Oh crap, it’s not a funny book, it gets fairly dark, it’s psychological suspense!! Someone commented it read like chick lit. Nooooooooooooo!!! Chick lit is fading, isn’t it? Chick lit meets noir, anyone? I maintained my equilibrium, reminded myself I was still working the first page, wasn’t entirely happy with the first paragraph, maybe it’s just setting the wrong tone. By the morning of the second day, I’d received some positive, offline feedback from fellow attendees and heard a few people quote my opening lines (at least I made an impression). I was calmer.
During my pitch practice, one of the authors hosting the event suggested, suburban noir. I love that. It’s not a defined genre, I won’t find agents listing it as a genre they represent, but it felt very comfortable and a tag I might use to describe my fiction. At the end of the agent Q&A on Sunday morning, Ms. Poelle suggested to another genre fence-sitter and I that it sounded like we had written upmarket women’s fiction. What the hell is that?
I know, I know. It’s not life or death that the novel is precisely categorized in the query letter. I know I’m an excessively precise person, but I have to put some-thing.
For a woman who makes her living in marketing, I’m having a terrible time with this marketing thing. A critical part of good marketing is clear positioning, a crisp message. I don’t think this is it: psychological suburban upmarket noir women’s suspense.
